Fluxus: The History
of an Attitude
Owen F. Smith
ISBN 1-879691-51-5
1998
paper, 326 pp.
US $22.50
front | back
vrijdag 31 augustus 2007
Attitude
donderdag 30 augustus 2007
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........................... --Posted
By Nobody to Fluxlist
Europe at 8/29/
2007 11:
22:
00
A
M
woensdag 29 augustus 2007
De.. du.. AX by Litsa Spathi
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maandag 27 augustus 2007
Fluxus - Today and Yesterday
Guest Editor: Johan Pijnappel
Art & Design: Fluxus Today and Yesterday
1993
VCH Publishers (UK) LTD
Fluxus Books Reproductions
1. Look on the Internet for images of Fluxus Books.
2. Publish the Image on another site.
Fluxus Score by Ruud Janssen
Done on August 27th 2007
2. Publish the Image on another site.
Fluxus Score by Ruud Janssen
Done on August 27th 2007
zondag 26 augustus 2007
Red Eye test Fluxus Kunst
Het
streven van de
Fluxuskunstenaars was
het bij elkaar brengen van kunst en
dagelijks leven. Daartoe moest de kunstpraktijk
'gezuiverd' worden van de door de musea en de commercie aangehangen 'elitaire' kunstopvattingen.
Fluxuskunstenaars was
het bij elkaar brengen van kunst en
dagelijks leven. Daartoe moest de kunstpraktijk
'gezuiverd' worden van de door de musea en de commercie aangehangen 'elitaire' kunstopvattingen.
Kunst en leven moesten elkaar
bepalen.
A WOLF and a 'KAMIN'
Wolf Vostell:
"Arc de Triomphe N° 1", 1993
Acryl, Blei
und elektrischer Kamin
auf Fotoleinwand
215 x 130 x 7,5 cm
source : http://www.vostell.de
donderdag 23 augustus 2007
Fluxus Score by Litsa Spathi
Fluxus score by Litsa Spathi:
1. Write a recepy on paper
2. Email the recepy to someone else
3. Let them cook following the recepy
Dedicated to Viktoria
vrijdag 17 augustus 2007
Fluxus Book Censored
Fluxus Book Censored. Book made by Litsa Spathi August 2007. Reason for making this artwork is being censored en removed from the Fluxlist Blog. Dedicated to Allan Revich. This video is made to present the book for the first time. Performance by Litsa Spathi, video by Ruud Janssen. Published by Fluxus Heidelberg Center in Breda, Netherlands.
donderdag 16 augustus 2007
Another Fluxus Site?
While looking at all kind of fluxus sites to look what is happening online, I discovered one that didn't go futher then this first intro-image and then blocked. The image is funny enough to shere here though.....
Source: http://www.fluxus.lt/pix/ulf1.jpg
The results of my search can be found online as well at the link:
http://www.fluxusheidelberg.org/fluxuslinks.html
Source: http://www.fluxus.lt/pix/ulf1.jpg
The results of my search can be found online as well at the link:
http://www.fluxusheidelberg.org/fluxuslinks.html
dinsdag 14 augustus 2007
Mail from the Oracle of Delphi - Greece : Tomato War
Suddenly we received this mail in Breda, Netherlands. It is from the Oracle in Delphi, sent to the Fluxus Heidelberg Center, and advices about the Tomato War. What to do?
zondag 12 augustus 2007
_dec11.jpg)
Fish Performance (X3)
A Fluxus Performance by Litsa Spathi & Ruud Janssen.
Every Thuesday and Friday Litsa goes to the market and buys fish. We love eating fish. The Friday is a special day for fish. Lots of fish to choose from. For this performance she bought THREE Salmon-heads. To make the traditions Salmon-Soup.
(c) 2006 by Fluxus Heidelberg
Fluxus Blessings Performance
Today mail from Jon Hendricks (NY, USA) arrived at the Fluxus Heidelberg Center. Litsa Spathi asked him on July 16th 2006 by mail to give his blessings on her marriage with Ruud Janssen that took place exactly a year before. The answer contained a written card and a historic Fluxus piece (details see entries on the
http://fluxusheidelbergcenter.blogspot.com/
where all images are published.
http://fluxusheidelbergcenter.blogspot.com/
where all images are published.
The Battle in Troya - The Tomato War.
A live report from the battlefield. The tomatoes won, the Nuts and chickens lost......
A DREAM
This is something I made especially for the Fluxlist. Almost 200 drawings form this short animated film. I hope you enjoy is.
If you watched it completely, please give me your reactions.
If you watched it completely, please give me your reactions.
Fluxus in Germany
Fluxus en Alemania (Lima, Peru)
Interesting to see this video on Fluxus on Peru's television!
Interesting to see this video on Fluxus on Peru's television!
Fluxus Experiment
A Fluxus experiment in digital form. Add your tools to this digital image and place it again on the list. You can use the pens I added there for you..... 
vrijdag 10 augustus 2007
donderdag 9 augustus 2007
Documenting things.
RJ: I couldn't work without documentation. But there may be a danger in documentation if it forms its own truth. Reality -- things that happen in a specific moment -- can never be captured by objective documentation because reality is different for everybody who observes it. Everyone recognizes his own truth through the act of observation. Isn't there a danger in the possibility that those who create the documents dictate the shape of history? Is documentation that powerful?
KF: This is a danger. It's a basic problem that we face in all forms of documentation, no matter who makes them and no matter the purpose for which they're made. It seems to me that there is a strong argument to be made for a variety of clear, understandable sources of document from several views. In the recent past, most documentation on art has been compiled or presented by a handful of journalists, critics and finally by art historians. I suggest that there can be valid approaches to art documentation by scholars from several fields and by artists themselves.
The better, the broader, the more clear and conscious a body or documents is, the better we can understand what's happened. I believe that documentation has valid goals and purposes. These purposes can be realized or abused. How we handle documentation, how much and how well, makes the difference.
from an interview between Ken Friedman (Norway) and Ruud Janssen (Netherlands)
(Source: http://www.fluxusheidelberg.org/kenfriedman.html)
KF: This is a danger. It's a basic problem that we face in all forms of documentation, no matter who makes them and no matter the purpose for which they're made. It seems to me that there is a strong argument to be made for a variety of clear, understandable sources of document from several views. In the recent past, most documentation on art has been compiled or presented by a handful of journalists, critics and finally by art historians. I suggest that there can be valid approaches to art documentation by scholars from several fields and by artists themselves.
The better, the broader, the more clear and conscious a body or documents is, the better we can understand what's happened. I believe that documentation has valid goals and purposes. These purposes can be realized or abused. How we handle documentation, how much and how well, makes the difference.
from an interview between Ken Friedman (Norway) and Ruud Janssen (Netherlands)
(Source: http://www.fluxusheidelberg.org/kenfriedman.html)
woensdag 8 augustus 2007
Litsa Spathi = Nobody = The real CryBaby
Reaction for Mick Boyle.
Dear Mick Boyle, You are wearing the wrong pampers. You gave ME the name CryBaby. I accepted it and published my reaction with the video. Now you behave like that other child that also wants to be a crybaby but not realy is one... The video tells it all...
Dear Mick Boyle, You are wearing the wrong pampers. You gave ME the name CryBaby. I accepted it and published my reaction with the video. Now you behave like that other child that also wants to be a crybaby but not realy is one... The video tells it all...
Enjoy the video!
Reaction for Mick Boyle
Mick Boyle said: I changed my mind and my comment. I now think Nobody is a crybaby. Hooray for the red white and blue! I am now going to scan my american flag and write a score about it.
Nobody replies: Micky Boyle is right. I even found a video where the Fluxlist people documented how the tried to get rid of this ' crybaby':
Enjoy the video!
Nobody replies: Micky Boyle is right. I even found a video where the Fluxlist people documented how the tried to get rid of this ' crybaby':
Enjoy the video!
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