Visual [f]luxus poetry -Intermedia- fürs ZKM Karlsruhe

He Is no Longer One of Us'l

He Is no Longer One of Us'
Post-Gadhafi Era Begins in Eastern Libya2011/02/28
As opposition forces put Libyan dictator Moammar Gadhafi under increasing pressure, the post-Gadhafi era has already begun in the eastern part of the country. Victorious rebels are turning to the task of governing, but no one knows what will replace the despot...'s system. By SPIEGEL Staff.

A young man named Hussam, a 26-year-old with a Kalashnikov slung over his shoulder, controls access to liberated Libya. Passports? What for? Hussam is more interested in finding out how someone entering the country feels about this enormously important event in his life. "What do you think about our revolution?" he asks.
http://www.spiegel.de/international/world/0,1518,748033,00.html
- visual poem by Litsa Spathi

A new book of visual poetry by Litsa Spathi

LITSA SPATHI (GERMANY)
"Oxid"
2009, 40 pages, 15 euro / 20 US $ / 13 UK Sterling

A new book of visual poetry by Litsa Spathi from the Fluxus Heidelberg Center,
the 27th in our collection "C'est mon dada"
http://www.redfoxpress.com/dada-spathi.html
order by email at info@redfoxpress.com

Since this month the complete collection is also available at MoMa, New York and ICA, London

The name of the collection "c'est mon dada" is a french saying
meaning it's my favourite thing, it's my hobby.
Dada in french children language means horse.
That's apparently where the dadaists got their name from.


This book collection is available in following bookshops
>> Printed Matter, New York
>> MoMa, New York
>> Boekie Woekie, Amsterdam
>> ICA, London
>> Bookartbookshop, London
>> Regard Moderne, Paris
>> Librairie le Lievre de Mars, Marseille
>> Kenny's Bookshop - US export, Galway
>> Gibbon's Bookshop, Westport
>> On Sundays, Tokyo
>> Post poetics, Seoul

REDFOXPRESS
Francis Van Maele
Dugort, Achill Island, County Mayo, Ireland

New Trilogy by Litsa Spathi

Litsa Spathi published a new set of three books today. The complete set is part of the Performance with title "Balla Balla". The performance itself resulted in a collection of visual poetry that is published as part of the performance.

The books are available for others as well at the link: http://stores.lulu.com/fluxusheidelberg.

A colour-version is to be published as well.

New Trilogy by Litsa Spathi

Litsa Spathi published a new set of three books today. The complete set is part of the Performance with title "Balla Balla". The performance itself resulted in a collection of visual poetry that is published as part of the performance.

The books are available for others as well at the link: http://stores.lulu.com/fluxusheidelberg.

A colour-version is to be published as well.

Rail Track

Litsa Spathi published her book "Rail Track" - Visual Poetry and Fluxus Performance, which is now available at LuLu through the folowing link:

http://www.lulu.com/content/2714161

A Journey from Breda to Munich described in a visual way.

Nobody & empty chair

Dog Fluxhound poetry

m - O - i - O Fluxus News

Spitz Patrone (F)luxus Poem

Mit bestem Dank an Bubuin Berlin

Spaghetti sea

winter time

Unfinished time book

Timeevolutionofphaseseparationofapluronic64andwatermixturetimepassesintheverticaldirection.
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Timeevolutionofphaseseparationofapluronic64andwatermixturetimepassesintheverticaldirection.
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Fluxus King or Fluxus Queen?

Fluxus Artist of the Year 2007?
Who´s King/Queen Fluxus of the year ? For voting please insert picture.

What is the difference between Fluxussoldier # 13 and # 14

Fluxussoldier # 14

Fluxussoldier # 13

What is the difference between Fluxussoldier # 11 and # 12

Fluxussoldier # 12

Fluxussoldier # 11

The Crime of the long and short socks

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Wireless support commmunication with lightning - visual poem by Litsa Spathi

Law & order - visual advice by Nobody

www.international cheese poetry - visual poem by Litsa Spathi

Kaas-->Käse-->Cheese--->Tyri: The first official international cheese poem for the web

VISUAL POETRY

W H A T I S V I S U A L P O E T R Y ? Visual poetry stresses the look of the poem on the page. It can include text only, text and imagery of all sorts, or imagery only, but is intended to be viewed primarily within a literary arts context. To me, it points out a continuum of expression between the literary and visual arts: each use vision and process visual information in a different way. The eye takes in, and the brain processes, visual imagery in no certain order, so the image, while taken in piece by piece, forms more of a gestalt in the perceiving mind, which then forms associations and chains of meaning from that gestalt. The situation is very different when reading a text. Reading is a more linear, step by step process, and the range of meanings much more precise, and thus more circumscribed (while still being vast of course), than is the case for visual imagery. Visual poetry accentuates the flicker of the mind moving between these two modes of receiving and processing visual information. This flickering juxtaposition opens out opportunities for works to evoke a greater range of associations and meanings in the experience of their reader/viewers.